My Tunes for Weary Days began as a commission from Sounding Board Project for a one minute guitar miniature. While writing the piece, I discovered a love for the instrument; the guitar’s construction allows it to play music of great complexity, but its unique timbre allows it to hold our attention with the simplest means. This new interest led me to expand the piece with five additional movements, grouped into pairs. The second and third, “Newly Awake” and “Sighing, Strumming” embody the recurring cycles of optimism and negativity many of us have felt in recent months. The fourth and fifth movements, “Bells Heard Near and Far” and With Heavy Steps” take a more static approach to harmony, as they explore technical guitar idioms – harmonics, tremolos, and slides. The first and last movements, “Tune for Weary Days” and “Growing, But Never Forgetting the Past” also form a set, bookending the piece with reflections on a nostalgic melody.